A key debate in the epistemology of testimony concerns when it is reasonable to acquire belief through accepting what a speaker says. This debate has been largely understood as the debate over how much, or little, assessment and monitoring an audience must engage in. When it is understood in this way the debate simply ignores the relationship speaker and audience can have. Interlocutors rarely adopt the detached approach to communication implied by talk of assessment and monitoring. Audiences trust speakers to (...) be truthful and demonstrate certain reactive attitudes if they are not. Trust and the accompanying willingness to these reactive attitudes can then provide speakers with a reason to be trustworthy. So through ignoring interlocutors' engagement with the communicative process, the existing debate misses the possibility that it is an audience's trusting a speaker that makes it reasonable for the audience to accept what the speaker says. (shrink)

The prolific English poet John Lydgate has been known as the “monk of Bury” since the early fifteenth century. Both his popularity and perceptions of his literary merit have fluctuated wildly since his zenith as the famous laureate of Henry V, Henry VI and Duke Humphrey, but readers have been constant in their association of Lydgate with the Benedictine abbey from which the epithet derives. However, there has been remarkably little examination of the details of Lydgate's existence at Bury: (...) the critical emphasis has been on Lydgate's contact with Lancastrian society rather than on his quotidian life as a monk. “To trace in detail the connection between the Bury library and the characteristic configuration of Lydgate's thought and work, to see how his mind was formed and influenced by the books with which he was in such familiar contact” remains an unfulfilled desire. In particular, given the range of Lydgate's literary and intellectual allusions, it is surprising that there has been no full attempt to compare what we know of Bury's sizeable late medieval library, catalogued in the late fourteenth century by Henry Kirkstede, with Lydgate's poetic output. Likewise, few critics have attempted to trace connections between Lydgate's poetry and the intellectual and cultural atmosphere of a grand Benedictine abbey in the late medieval period. This article, a study of one manuscript from Bury that Lydgate certainly handled and that is typical of the type of book he would have encountered in great numbers in the monastic library, endeavours to reassert the importance to his poetry of the environment in which Lydgate spent most of his life. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Charles Faulkner Bryan: His Life and MusicTerese M. VolkCarolyn Livingston, Charles Faulkner Bryan: His Life and Music ( Knoxville, TN: University of Tennessee Press, 2003)There are many biographical studies in music education history.1 Indeed, it seems one of the easiest fields in historical research to mine—that is, until the researcher finds him or herself in the midst of what could be a years-long endeavor. Then the choice is (...) to commit to the research or quit. Carolyn Livingston did not quit. Her research began in 1981, continued through twenty years of investigations, interviews, library searches, and analyses, and has culminated in Charles Faulkner Bryan: His Life and Music. This book is not just the usual sequence of events in the life of a musician. Rather, it is more like becoming acquainted with someone you have never met before, yet feel comfortable with immediately. Charles Faulkner Bryan is genuinely likeable, and Livingston brings the person of Bryan to the fore and lets his humanity shine through his life and his music.Charles Faulkner Bryan: His life and Music is divided into two sections (pre- and post-WWII), each with four chapters. Livingston looks at this musician from several perspectives: the composer, the educator, the researcher, and the man. Appalachian folk music is the theme that connects the chapters, as it connected the events in Bryan's life. [End Page 211]Chapter 1 focuses on Bryan's youth, during which he and his family discovered his musical abilities. From performing at school, to building his own "turtle uke,"2 to his studies at the Nashville Conservatory of Music, Livingston describes the family support behind his developing musicality. Chapter 2 shows the reader his humanity even more clearly. Livingston tells of his early career as a music educator at the Tennessee Polytechnic institute; his marriage; and his mentorship of a young Black singer, J. Robert Bradley. That Bryan, a white Southerner, gave voice lessons to Bradley was not only generally unheard of with segregation as it was in the United States during the 1930s, but was dangerous to his career as well. Bryan moved on to teach at Peabody College in Nashville and then worked for the Works Progress Administration (WPA) Music Program on the Tennessee Music Project. Later he became the assistant state coordinator for the Tennessee State Defense Council. During both of these service positions, he called for music education improvements in Tennessee. Commenting on his work during this period, Livingston says, "Bryan was both of his time and ahead of his time... grounded in reality and yet visionary."3In Chapter 3, Livingston gives the reader a review of the "status of folk music scholarship and performance" as it existed in the 1930s.4 She takes pains to introduce the folk music researchers and musicians who influenced Bryan in his work with Appalachian folk music: Lucien L. McDowell and Flora Lassiter McDowell, George Pullen Jackson, Charles Seeger, and John Jacob Niles. These connections and friendships were to influence his awareness of Appalachian folk music and would continue for the rest of his life. By 1945 he had come to be considered an authority on folk music in his own right and his vision of this music came to encompass "the ultimate meaning in representing America itself."5Chapter 4 traces Bryan's development as a composer. It is in this chapter that Livingston begins to incorporate analyses of Bryan's most popular compositions. Her reviews of these compositions are clear and detailed without being overly theoretical. Some of the selections she analyzes include "Charlottown," "The Ballad of the Harp Weaver," and the White Spiritual Symphony. The Symphony in particular shows his respect for the folk songs he incorporated in this composition. Indeed, as Livingston points out several times, he maintained the integrity of these songs in all his compositions and performances. Chapter 4 concludes with Bryan's academic achievements: a Guggenheim Fellowship for music composition and his acceptance at Yale University to study composition under Hindemith.Livingston continues the discussion and analyses of Bryan's compositions in Chapter 5, detailing his time at Yale. His completed choral works from this period include the "Bell... (shrink)

Elrod has produced a serious and comprehensive examination of Kierkegaard’s ontology in which he takes the study of the self as the unifying ground for philosophic and theological thought. Unification is Elrod’s consistent theme. Although the title of his work acknowledges Kierkegaard’s pseudonymous corpus as an independent body within the authorship, any such assertion of autonomy—which would effectively subdivide the religious and the secular—is finally denied. Elrod, in fact, mediates all distinctions between the aesthetic and religious modalities of Kierkegaard’s thought (...) by finding within the aesthetic corpus a development of selfhood utterly consistent with Christianity’s quest for self-fulfillment. (shrink)

There is a well-developed literature on trust. In his important article Faulkner, 424−429, 2015) distinguishes three-place, two-place and one-place trust predicates. He then argues that our more basic notions of trust are expressed by the one-place and two-place predicates. Three-place trust, contractual trust, is not fundamental. This matters. Having a clear understanding of our concepts of trust is important. The most important assumption of Faulkner’s argument is that the notion of trust expressed by the three-place predicate is not attitudinal; it (...) is a ‘metaphysical hybrid of attitude and action’. I argue that this is wrong. All three notions are attitudinal and no reason exists to deny that the one-place and two-place notions derive from the three-place one. Once one rejects Faulkner’s assumption that the three-place notion can be separated off from the others as a metaphysical hybrid argument for the priority of the one-place and two-place notions collapses. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Buddhist-Christian Studies 21.1 (2001) 57-62 [Access article in PDF] In Contrast to Sentimentality: Buddhist and Christian Sobriety Bardwell Smith Carleton College An invitation to reflect on the spiritual disciplines of another tradition is a welcome but difficult assignment. It is welcome because having studied, taught about, and engaged in various forms of Buddhist practice for forty years, I have learned more about what becoming a Christian means than I (...) had anticipated. So much so that I'm tempted to wonder, in Chuang Tzu style, am I a Buddhist-Christian, a Christian-Buddhist, or just another person for whom labels don't suffice? It is difficult because spiritual practice, by exhuming the most elusive levels of human experience, teaches one that the inner life resists all attempts to define, let alone control--which is a good thing, for the more claims made about one's practice, the more self-deception thrives.The one claim I would make about my experiences of Buddhist spiritual practice, through meditation and pilgrimage, is that they have aroused immense gratitude for the fragile gift of life, plus a healthy respect for Buddhism's "three poisons of anger, greed, and ignorance," for they prod us to realize our essential nature. The same is true about the inner life of a Christian, which is why I said "becoming a Christian," for it is a process of unfoldment, not something static or accomplished. In other words, understanding the obstacles to spiritual growth within oneself, yet keeping one's eye on the potential that already exists in one's makeup (the buddha nature, the interdependence of all reality, or the image of god), helps one to persist without seeming to "progress" toward fulfilling this goal.This essay is a personal reflection; it does not attempt to be academic. The learner-seeker in me seeks to become one with what he is teaching-seeking. While teaching himself, he is always being taught by others in the reciprocity of life. Having "forgotten" his essential nature, he seeks to "remember," to become what he already is, painfully aware that he is often living a contradiction. As one talks about spiritual practice, the reference is typically to some activity set apart from ordinary life. Actually, in such practice one seeks to impart greater candor and depth to one's everyday existence through some sort of spiritual discipline, in particular by the act of attending to life through conscious awareness. And though one's inner life resists all tendencies to impose order upon it, discipline can forge channels through which new life breathes. [End Page 57]Before discussing forms of Buddhist practice that have made an impact upon me, it makes sense to note some influences that came earlier and have remained indelible. Combat experience in the Marine Corps, compounded by exposure in North China in 1945-1946 to kinds of suffering I had never imagined, prompted me to see the world and myself from a very different angle. In succeeding years Augustinian, Kierkegaardian, and Niebuhrian reflections on man's capacity for evil and self-deception taught me to regard claims to virtue or innocence with suspicion, to say the least. These were made especially graphic by portrayals of human brutality embodied in the worlds of a Dostoevsky or a Faulkner.When first exposed to Buddhist worldviews at the age of thirty-five, I found a comparable absence of sentimentality. Here too was a compelling awareness of the roots of suffering within each person and as magnified in social institutions and values. It was an awareness and acceptance of violence, evil, and self-deception as an inextricable part of the human experience; of greed, ignorance, anger, and hatred as threads in the tapestry of the human condition, but that a doorway out of this chamber of suffering also exists.In the varieties of Christianity and Buddhism that fed my imagination, I found sober realism coexisting with profound belief in the human capacity for transformation.While Christians and Buddhists depict this tension in their own ways, I detect no basic disagreement. The disease of ignorance and of... (shrink)

In this study John W. Elrod demonstrates that Kierkegaard's pseudonymous writings have an ontological foundation that unites the disparate elements of these books. The descriptions of the different stages of human development are not fully understandable, the author argues, without an awareness of the role played by this ontology in Kierkegaard's analysis of human existence. Kierkegaard contends that the self is a synthesis of finitude and infinitude, body and soul, reality and ideality, necessity and possibility, and time and eternity. (...) Each of these syntheses reveals a particular and unique aspect of individual being not disclosed in the others. Part One shows that ontology is central to the discussion of the self in the pseudonyms. The author notes that spirit, as a synthesis of the expressions of the self, develops as consciousness and freedom. In Part Two he indicates the relationship between notions of being and existence. He notes that existence, in Kierkegaard's thought, grows out of the life of the spirit; the different stages of existence are concrete modes that develop in the spirit's striving to unify the self as a synthesis. These existential expressions of spirit are dialectically related, in that each step requires the preceding stages of spiritual development. Originally published in 1975. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. (shrink)

Title: "A Rose for Emily" ("Een roos voor Emily") Author: William Faulkner Translators: Martijn Boven and Maarten Jansen Original language: English Target language: Dutch -/- William Faulkner's "A Rose for Emily", presented her in a Dutch translation, was first published in 1930, in the April issue of Forum magazine. By 1930, Faulkner had already authored four novels; however, "A Rose for Emily" marked his debut in the short story genre. While not as experimental as his novels The Sound and the (...) Fury and Absalom, Absalom!, it nonetheless incorporates certain characteristic Faulknerian elements, such as an unconventional narrative perspective and a non-linear chronology. Consistent with the majority of Faulkner's oeuvre, this narrative is situated in the fictional Southern setting to which Faulkner gave the name Yoknapatawpha County. -/- [In Dutch: Wiliam Faulkners 'Een roos voor Emily’ (‘A Rose for Emily’) werd voor het eerst gepubliceerd in 1930, in het aprilnummer van het tijdschrift Forum. Faulkner had in 1930 al vier romans op zijn naam staan, maar ‘Een roos voor Emily’ was het eerste korte verhaal dat hij publiceerde. Het is niet zo experimenteel als zijn romans The Sound and the Fury (Het geraas en gebral) en Absalom, Absalom! Desondanks bevat het toch enkele karakteristieke Faulkneriaanse elementen, zoals een ongebruikelijk vertel perspectief en een gefragmenteerde chronologie. Net als het merendeel van Faulkners oeuvre speelt ook dit verhaal zich af in het fictionele Zuiden waar Faulkner de naam Yoknapatawpha County aan gaf."]. (shrink)

I argue the philosophy of Thomas Aquinas in the hope there is a very important concept for a more complete discussion and presentation, this article is divided into five sections: I. "pan on the" existence "is"; II, "a glimpse of the historical background before Thomas Aquinas ", consists of two things: First, the" Greek philosophy "Second," Medieval Philosophy "; participation," meaning the existence and importance. " Due to space limitations, only now made ​​the three sections. Stanford, "Thomas Aquinas (...) in the in the" presence "of some of the analysis"; Wu, "Thomas Aquinas's personality theory." We can see from the above title, the author cited in my article in the original code data, mainly taken from "metaphysics of Aristotle notes," a book, it is noted. This paper is intended to make a more comprehensive exploration and introduction of the important concept of existence in Aquinas's philosophy and segmented into five parts: first, a generalization of "existence"; second, a glimpse of the historical background precedent to Aquinas's time, including Greek philosophy and medieval philosophy; third, the meaning and importance of existence; fourth, Aquinas's analysis of existence in his Commentaries on Aristotle; and fifth, Aquinas's theory of personality. Due to the limits of volume, here we can only address the first three parts. From these headings, it's easily seen and should be noted that the references in the paper are mostly from Commentary on Aristotle's Metaphysics. (shrink)

In this paper I examine how Aristotle thinks syllogisms establish existence. I argue against the traditional "Instantiation" reading and in favor of an alternative "causal" or "structural" account of existential syllogisms. On my interpretation, syllogisms establish the existence of kinds by revealing that they are per se unities whose features are causally underwritten by a single cause/essence. They do so by tracing correlations between propria--peculiar, coextensive features--of the kind in question.

David Hume advances a reductionist epistemology of testimony: testimonial beliefs are justified on the basis of beliefs formed from other sources. This reduction, however, has been misunderstood. Testimonial beliefs are not justified in a manner identical to ordinary empirical beliefs; it is true, they are justified by observation of the conjunction between testimony and its truth, it is the nature of the conjunctions that has been misunderstood. The observation of these conjunctions provides us with our knowledge of human nature and (...) it is this knowledge which justifies our testimonial beliefs. Hume gives a naturalistic rather than sceptical account of testimony. (shrink)

Recent publications have traced a relation of influence between Nietzsche's philosophy and Freudianpsychoanalysis. While Freud is certainly intellectually indebted to Nietzsche, the present paper emphasisesthe significant difference between these philosophers' works: Namely, that they exhibit a differenteconomy, and are thus committed to competing theoretical structures. This difference comes to the fore inthe approach that each takes to elaborating the mind-body relation, and especially in the contrast betweenFreud's early neuroscientific speculations and Nietzsche's emphasis uponlanguage, and particularly metaphor. In order to illustrate (...) this ‘economical’ difference between their theories, the paper critiques Freud's early commitment to neurological discourse using Nietzsche's genealogical method. (shrink)

Sabzawari is one of the greatest Muslim philosophers of the nineteenth century. He belongs to Sadrian Existentialism, which became a dominant philosophical tradition during the Qajar dynasty in Iran. This paper critically analyses Sabzawari’s ontological discussion on the dichotomy of existence and quiddity and the relation between existence and non-existence. It argues against Sabzawari by advocating the idea that ‘Existence’ rather than quiddity is the ground for identity as well as for diversity, and that non-existence, (...) like existence, is able to produce an effect. (shrink)

Sartre’s analysis of intersubjectivity in the third part of Being and Nothingness is guided by two main motives1. First of all, Sartre is simply expanding his ontological investigation of the essential structure of and relation between the for-itself (pour-soi) and the in-itself (en-soi). For as he points out, I need the Other in order fully to understand the structure of my own being, since the for-itself refers to the for-others (EN 267/303, 260/298); moreover, as he later adds, a treatment of (...) the relation to the in-itself must necessarily include an analysis of the Other precisely because this relation is played out in the presence of the Other (EN 410/472). Secondly, Sartre wants to supply a concrete solution to the problem of solipsism (EN 289/329, 296/337). This problem was already preoccupying him in The Transcendence of the Ego, but at that time, Sartre argued that solipsism could be avoided by means of a non-egological theory of consciousness, since such a theory—which sees the transcendental field of consciousness as non-personal and the I as a product of reflection (TE 36/52-53, 63/80- 81)—would no longer confer a privileged status to the I vis-à-vis the Other (TE 85/104). In Being and Nothingness, however, Sartre concedes that this renunciation of the transcendental I has in fact been of no help in overcoming solipsism (EN 280/318). The problem remains and has to be solved. As he is quick to add, however, a proper solution will not involve any proof of the existence of Others; rather, it will be a question of revealing the foundation of our “pre-ontological” certainty with regard to the existence of the Other (EN.. (shrink)

William Faulkner (1897-1962), one of the United States’ most renowned authors, was born on Sept. 25, 1897, in New Albany, Mississippi. He initially focused on poetry, culminating in his first publication: The Marble Faun (1924). Subsequently, he transitioned to prose, producing novels such as The Sound and the Fury (1929), As I lay Dying (1930), Light in August (1932) and Absalom, Absalom! (1936), which are considered his most significant works. Like most of his oeuvre, these novels are set in a (...) fictional Southern region that Faulkner termed ‘Yoknapatawpha county.’ Nearly all works set in this fictional county are characterized by themes of race, incest, the American Civil War, and the decline of the antebellum South. Faulkner frequently employs diverse perspectives and techniques that directly represent the consciousness of his characters. Recognition for his literary achievements came relatively late in his career. The primary catalyst for this recognition was the Nobel Prize for Literature awarded to him in 1949, when he had arguably passed the zenith of his writing career. Faulkner’s extensive oeuvre, which spans from 1924 to 1962, also encompasses lesser-known works, such as Sanctuary (1931) and Intruder in the Dust (1948). In addition to novels, Faulkner authored numerous short stories that are considered among the finest in American literature. These include the story translated here, “Barn Burningr” originally published in 1939, in the June issue of Harper’s magazine. Faulkner died July 6 in Byhalia, Mississippi, of a heart attack. -/- In Dutch: William Faulkner (1897-1962) …, een van de beroemdste schrijvers uit de Verenigde Staten, werd geboren op 25 september 1897 in New Albany, Mississippi. Hij begon aanvankelijk met het schrijven van poëzie, wat resulteerde in zijn eerste publicatie: The Marble Faun (1924). Kort daarna liet hij poëzie voor wat het was en stortte hij zich op het proza. Dit leidde tot romans als The Sound and the Fury (1929), As I lay Dying (1930), Light in August (1932) en Absalom, Absalom! (1936) die als zijn belangrijkste werken worden beschouwd. Net als het merendeel van zijn oeuvre spelen deze romans zich af in een fictioneel Zuiden dat door Faulkner ‘Yoknapatawpha county’ genoemd werd. Vrijwel alle werken die zich in deze fictieve streek afspelen, worden gekenmerkt door thema’s als ras, incest, de Amerikaanse burgeroorlog en de teloorgang van het oude Zuiden. Faulkner maakt vaak gebruik van verschillende perspectieven en technieken die direct het bewustzijn van zijn personages representeren. Pas relatief laat in zijn carrière kreeg hij erkenning voor zijn literaire verdiensten. De belangrijkste stimulans hiervoor was de Nobelprijs voor de literatuur die hem werd toegekend in 1949, toen hij als schrijver eigenlijk al over zijn toppunt heen was. Faulkners omvangrijke oeuvre, dat ontstond in de periode van 1924 tot 1962, omvat ook minder bekende werken, zoals Sanctuary (1931) en Intruder in the Dust (1948). Naast romans schreef Faulkner echter ook nog een groot aantal korte verhalen die tot de absolute top van het Amerikaanse verhaal gerekend worden. Daartoe behoort ook het hier vertaalde verhaal ‘In vlammen op’ (‘Barn Burning’), dat oorspronkelijk werd gepubliceerd in 1939, in het juninummer van het tijdschrift Harper’s. Faulkner stierf op 6 juli in Byhalia, Mississippi, aan een hartaanval. -/- . (shrink)

Nietzsche’s relationship to his contemporaries, as expressed in his writings, was often figured by corporeal imagery evocative of disgust. For instance, in On the Genealogy of Morality Nietzsche declared himself to suffer from mankind—which he then proceeds to describe as “maggot”—or worm-like. Nietzsche’s philosophical project can be interpreted as a visceral protest against, and attempt to overcome, humanity. This paper argues that Nietzsche attempted through his writings to create a future community of like-constituted companions in his readers through a transmission (...) of affect and education in taste. This would-be "community" is premised on a curious affective dialectic that seeks to transform disgust for humanity into a pure movement of self-creation. The socio-political effects of this dialectic of disgust will be examined alongside Nietzsche's co-option of images of purity, in order to evaluate his response to modern nihilism. (shrink)

The concept of every real thing from all eternity contains the unavoidability of its existence before the divine decision. Thus every complete concept of a real thing contains the property of being such that the thing will exist if a created universe exists. Then a thing's existence cannot be external to its concept. There is bound to be more in the concept of something that exists than in that of "something" that does not-since existence is explained through (...) the quidditative property of being an essence that constitutes an integral part of the most perfect series of things. Such an essential, quidditative perfection explains the divine decision, and hence existence. Therefore, existence can be deduced from that essential perfection. The essence-as-such, the mere possible, contains something from which existence follows. What Leibniz never manages to explain is what distinguishes existence from the quidditative perfection it unavoidably stems from. (edited). (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Diacritics 33.1 (2003) 81-94 [Access article in PDF] Voices from the Depths Reading "Love" in Luce Irigaray's Marine Lover Joanne Faulkner Yet, except for the case of the Hymn, which combines the dedication and the text itself, what follows the dedication (i.e., the work itself) has little relation to this dedication. The object I give is no longer tautological (I give you what I give you), it is interpretable; (...) it has a meaning (meanings) greatly in excess of its address; though I write your name on my work, it is for "them" that it has been written (the others, the readers). Hence it is by a fatality of writing itself that we cannot say of a text that it is "amorous," but only, at best, that it has been created "amorously," like a cake or an embroidered slipper. —Roland Barthes, A Lover's Discourse: FragmentsIf, as Barthes writes, it is "by a fatality of writing itself" that a text cannot be amorous, then Luce Irigaray's Marine Lover of Friedrich Nietzsche—written for, about, and with Nietzsche—can be read precisely as a revitalization of writing. Suppose we were to read Marine Lover not only as a critique, but as an encounter with Nietzsche: an amorous encounter, which serves to bring to life Nietzsche's dedication of his work to the "philosophers of the future." In her interpretation of his work, Irigaray poses to Nietzsche the possibility that his "philosopher of the future" might be a woman, even though his various stylizations of "woman" (as a trope for "truth," "dissimulation," "shame," "prudishness," "seduction," and slavish dependency, among other things) seem to preclude actual women as readers of Nietzsche's work. Although he writes "woman's" name continually over his texts, women are not the ones to whom Nietzsche dedicates his work: the philosopher of the future to whom he beckons is presumed by him to share certain prejudices—philosophers' prejudices—about women. What does this mean for his women readers? Feminism's encounter with Nietzsche has been interesting and productive, but never easy.A number of excellent accounts of Marine Lover have already been published that enumerate Irigaray's criticisms of Nietzsche, reading her elemental address to him in terms of his forgotten relation to certain women (his mother, his sister, and a postulated lover).1 I would like to contribute a new dimension to this conversation, by exploring the effects of the affective relation that Irigaray sets up between herself and Nietzsche in Marine Lover. In particular, I am interested in how her critique of Nietzsche's text quickens—or enlivens—his philosophy. Irigaray presents Marine Lover as an address directly to Nietzsche, writing from the perspective of the reader whom his philosophy [End Page 81] most excludes: she addresses him as his marine lover (l'amante marine: the fluid, active, woman lover rather than the passive—always feminine—beloved: l'aimée).2 Thus she addresses him as an equal and active participant in the love relation, resisting the images and ideals that Nietzsche projects upon "woman." In this paper, I will argue that it is through a relation of love with Nietzsche that Irigaray is able to initiate a conversation between them, opening his text to new possibilities; to new relations with women. I will first explore Nietzsche's understanding of friendship, as a privileged relation to the other, before turning to Irigaray's response to Nietzsche, in which love is understood as philosophy's origin and impetus. Nietzsche's "Friend": The Philosopher of the Future Let us... believe in our star friendship, even if we should be compelled to be earth enemies. —Nietzsche, The Gay SciencePhilosophy generally exhibits a curious "body language" to its reader. Arguments are constructed in order to demonstrate one way of thinking that excludes "rival" paths of thought. The reader is invited to think along the channel constructed by the philosopher, to inhabit his thought alone, and ultimately to become persuaded by it. The text is set up as a conduit that transports the reader to... (shrink)

The pleasures experienced by boys and men who work and play closely with technology have important implications for both gender and technology. This article presents empirical evidence on the topic from two studies: one of hobbyist “robot builders” who build machines for the U.K. television program Robot Wars, the other of professional software developers working in a large U.S. corporation. In spite of the obvious differences between these two groups, they experience strikingly similar pleasures—in creating technologies, in their skills and (...) knowledge, and in their intimacy and comfort with technology. The authors discuss available gender-based analyses of men’s pleasures in technology, drawing on the empirical material to both challenge and extend these analyses. The authors suggest, tentatively, that technology is a gender-authentic and gender-available avenue for those men who particularly crave certainty because technology appears more certain, easier to understand, and easier to master than other worlds they inhabit. (shrink)

This paper addresses the emergence of the ‘death drive’ in Sigmund Freud’s later work, and thesignificance of this development for his psychoanalytic theory as a whole. In particular, the paper arguesthat the ‘death drive’ is a pivotal concept, articulating a connection between what are commonlyunderstood as the ‘lower’ and ‘higher’ functions of the psyche. Moreover, the death drive is pivotal in asecond sense, in that it articulates a turn away from the strictly empirical realm of science, to a dark andobscure (...) field indicated , but not comprehended, by observable phenomena. Finally, thepaper suggests that as Freud’s departure from his scientific methodology into the wilderness of speculation,the death drive represents his most valuable contribution to psychoanalysis. With the death drive, Freud isable to engender a new perspective of human being: one that is not already encompassed by themechanistic neurological viewpoint from which his researches first issued. (shrink)

This paper argues that Kierkegaard uses “spatiation”—a typographical mode of emphasis—to conceptualise human existence and simultaneously call into question the givenness or stability of a concept of existence. In Concluding Unscientific Postscript, spatiation serves as a potent visual of the problem of existence. By conceptualising existence as spatiating, Climacus at once emphasises and dissolves his concept to encourage thinking about what it means to exist without resolving the difficulties of actual existence. While largely overlooked in (...) Kierkegaard scholarship, taking into account spatiation thus offers insights into Kierkegaard’s influential foregrounding of existence and his existentially oriented approach to philosophising that seeks to engage his readers as existing and embodied individuals. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Faulkner's Novels Past and PresentAndrew J. McKenna (bio)This article contains instances of the N-word. The Editor, Michigan State University Press, and Michigan State University do not condone the use of this word and only after careful consideration have we reprinted it. In this case, the word appears in the context of works by Faulkner.When I first came East I kept thinking You've got to remember to think of some (...) of them as coloured people not niggers, … I learned that the best way to take all people, black or white, is to take them for what they think they are, and leave them alone. That was when I realized that a nigger is not a person so much as a form of behavior; a sort of obverse reflection of the white people he lives among.—Faulkner, The Sound and the Fury ([1929] 2019, 45)A black man is a person who must ride Jim Crow in Georgia.—W. E. B. Du Bois ([1940] 1992, 153)When William Faulkner memorably stated, "the past is not dead, it's not even past," he was not reaching out for a place in the world-historical pantheon of aphoristic wisdom; he wasn't thinking about culture and history in general. A person of his own time and place, he was thinking about his experience in his own homeland, the deep South of his native [End Page 39] Mississippi, with its cherished myth of a Lost Cause that ennobled the effort to tear our country apart over slavery, and that subsequently enabled Jim Crow legislation, spawned the KKK, and sanctioned a century of lynching and burning. There has been an uptick of attention to Faulkner owing to Carl Rollyson's recent two-volume biography (2020) and, especially for my purposes, Michael Gorra's The Saddest Words: William Faulkner's Civil War (2020), which focuses on the centrality of that cataclysm in his creative imagination and his historical vision.On more than one occasion Faulkner himself was emphatic in his own ambivalence toward "his native land," as in this self-description: "He was born of it and his bones will sleep in it; loving it even while hating some of it … the intolerance and injustice; the lynching of negroes not for the crimes they committed but because their skins were black" (in Blotner 2005, 354). Gorra (2020) argues that this very ambivalence is a generative resource for the author's greatest achievements, quoting Yeats's notorious dictum, "We make out of the quarrel with others, rhetoric, but of the quarrel with ourselves, poetry" (346). This can remind us of the notorious "crucible of doubt" out of which Dostoevsky allegedly forged his fiction. The Russian novelist is named (Blotner 2005, 718) as among seven of Faulkner's "masters" in the literary education of this omnivorous autodidact, with the others being Melville, Conrad, Balzac, Flaubert, Dickens, and Cervantes. With Dostoevsky especially he shares an admixture of horror and benign good humor. On occasion Faulkner was classed as an author of Southern Gothic, a label also applied to Flannery O'Connor, who, with Toni Morrison and Cormac McCarthy, counts among his greatest literary progeny. A more capacious designation might rank him with masters of the grotesque, as Mikhail Bakhtin has explored this anomalous category in his writings on Rabelais and Dostoevsky.Light in August (Faulkner, 1932) begins and ends on a humorous note, as we follow the quest of the guileless Lena Grove for the father of her unborn child. She has concluded from her "endless care of other children" in her brother's household, "'I reckon that's why I got one so quick myself'" (3); the novel closes with her newborn infant in her arms in her now aimless trek, marveling, "My, my. A body does get around: here we aint been coming from Alabama but two months, and now it's already Tennessee" (480).Lena's peregrinations bookend the story of Joe Christmas, so named because he was born on that day and who, we find later in the narrative, was snatched away by his religiously fanatical grandfather to be placed in an orphanage, then snatched away again to be placed... (shrink)

Jean Paul Sartre in his essay, "On 'The Sound and the Fury': Time in the work of Faulkner," states that the technique of the fiction writer always relates back to his metaphysics (OSF 79). Faulkner's clock-based or chronological metaphysics of time found in The Sound and the Fury is the focal point of Sartre's criticism of this work. His main criticism that the novel's metaphysics of time leaves its characters with only pasts and no futures led some Faulkner scholars to (...) seek the future in it while providing their own interpretation of time in Faulkner's work. However, although many of these works were inspired by Sartre's original contribution, none of them have attempted to provide an expanded Sartrean interpretation of the novel's metaphysics of time in light of some of his more elaborate remarks on time and temporality found in Being and Nothingness. The primary purpose of this study is to provide this expanded interpretation by first elucidating Sartre's criticisms of Faulkner's chronological metaphysics found in his original essay, and then analyzing each of the novel's four main sections under Sartre's theory of temporality and emotions. (shrink)

Kant wrote in the Only Possible Argument in Support of a Demonstration of the Existence of God, that existence is not a predicate of things. In this paper I argue that his thinking is based on the same view already in the New Elucidation, written in 1755. In this early text, Kant carefully distinguishes the grounds of existence from grounds of knowledge and argues that contingent existence always has an antecedently determining ground. I examine how Kant (...) thinks that God contains the extralogical grounds that are required for things not only to exist but also to undergo change and interact with other things. I also consider briefly how the New Elucidation could help us to understand Kant’s mature view on the grounds of existence. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Prufrock's Question and Roquentin's AnswerWilliam IrwinThere could not be two more different literary figures than the right-wing, religious T. S. Eliot and the left-wing, atheistic Jean-Paul Sartre. Yet there are striking connections between their first major publications, The Love Song of J. Alfred Prufrock (1917) and Nausea (1938). Eliot was aware of and critical of Sartre, especially in the commentary on No Exit in The Cocktail Party, and, no (...) doubt, Sartre became aware of Eliot.1 But as far as can be gleaned, Sartre did not read Eliot's Prufrock, prior to the publication of Nausea, despite his connection to Adrienne Monnier, the French translator of the poem. Indeed Simone de Beauvoir documents the couple's reading habits in some detail in The Prime of Life, including their admiration for Hemingway and Faulkner during that time, but there is no mention of Eliot or Prufrock.2Both the poem and the novel present us with subjective, mood-laden impressions of the internal melancholic lives of their protagonists. Like Prufrock, Roquentin admits "My passion was dead."3Nausea is presented as a diary intended to be read by no one, and Prufrock is presented as a self-confession that no one is to hear. As Guido da Montefeltro in the poem's epigram is willing to speak to Dante because he believes Dante will never return to share what he has heard with the living, so Prufrock is solipsistically introspecting. The "you" of "Let us go then, you and I" is likely Prufrock addressing himself. But if it is addressed to another person, it can only be a reader who is as hopeless as he is, with no chance of return or redemption—only such a reader would really understand what is said. The final line of the poem "Till human voices wake us, and we drown" takes us back to the "patient etherized upon a table." Like Roquentin, Prufrock has taken himself and the reader [End Page 184] by proxy on an inner journey, a dream-like state in which the real and surreal come together.In the opening stanza of the poem, Prufrock describes his internal cityscape as including "Streets that follow like a tedious argument / Of insidious intent / To lead you to an overwhelming question... / Oh, do not ask, 'What is it?'" The question is mentioned twice more, but it is never articulated. Obviously it is an issue of great existential import concerning the meaning of life. Though Prufrock does not verbalize it, the question must be essentially Roquentin's question to himself: "Can you justify your existence then? Just a little?" (p. 177).As we shall see, even though Sartre's philosophy as developed in Nausea and crystallized in Being and Nothingness comes later and likely with no knowledge of Prufrock, the philosophy can still shed light on the poem—and in a way that in turn elucidates the philosophy.4IMeaning for Sartre is found in existence itself, emerging through the coloring and conceptualization of consciousness.5 While this does not necessarily imply the stereotypical existential view that life is bleak, meaningless, and possibly not worth living, this does nevertheless seem to be the conclusion that Roquentin draws early in Nausea. Consider this dark concern: "My existence began to worry me seriously. Was I not a simple spectre?" (p. 86). Early in the novel Roquentin concludes "Nothing happens while you live. The scenery changes, people come in and go out, that's all. There are no beginnings. Days are tacked on to days without rhyme or reason, an interminable, monotonous addition" (p. 39). This life as Roquentin describes it sounds eerily like the humdrum pointless existence of Prufrock, who has measured out his life with coffee spoons and spit out the butt-ends of his days and ways amidst the monotony of women who come and go talking of Michelangelo—a great man he resembles not at all.Later in the novel Roquentin admits "And it was true, I had always realized it; I hadn't the right to exist. I had appeared by chance, I existed like a stone, a plant or a microbe. My life put... (shrink)

In this paper, I examine the relation between phenomenology and anthropology by placing Foucault?s first published piece, Introduction to Binswanger?s?Dream and Existence? in dialectical tension with The Order of Things. I argue that the early work, which so far hasn?t received much critical attention, is of particular interest because while OT is notoriously critical of anthropological confusions in general, and of?Man? as an empirico-transcendental double in particular, IB views?existential anthropology? as a unique opportunity to establish a new and fruitful (...) relation between transcendental forms and empirical contents. This is because IB focuses on a specific object,?Menschsein?, which is neither the transcendental subject nor an empirical being. Thus for the young Foucault existential anthropology occupies a fertile methodological middle ground between transcendental approaches and empirical forms of analysis. I first interpret anthropology in the light of phenomenology and defend the view that Menschsein is neither a transcendental structure nor a concrete particular, but as the instantiation of the first in the second. I argue that for anthropology to yield the full theoretical benefits Foucault claims for it, the particular cases of Menschsein examined in existential analysis have to be regarded as exemplary. I then read phenomenology back in the light of anthropology and examine how, for Foucault, the analysis of Menschsein in dreams benefits fundamental ontology by affording us a clearer view of some of the main existentiale than the focus on everyday waking experience in Being and Time. Finally, I turn to the limits and difficulties of this early position and my reading of it, and to their consequences for Foucault?s later view. (shrink)

The aim of this paper is to clarify Spinoza’s views on some of the most fundamental issues of his metaphysics: the nature of God’s attributes, the nature of existence and eternity, and the relation between essence and existence in God. While there is an extensive literature on each of these topics, it seems that the following question was hardly raised so far: What is, for Spinoza, the relation between God’s existence and the divine attributes? Given Spinoza’s claims (...) that there are intimate connections between God’s essence and his existence – “God’s essence and his existence are one and the same”(E1p20) – and between God’s essence and the attributes – “By attribute I understand what the intellect perceives of substance, as constituting its essence” (E1d4), we would naturally expect that by transitivity, there is a significant relation between God’s existence and the attributes. Yet, as far as I know, there is little, if any, attempt in the existing literature to explicate such a relation, and it is one of my aims of this study to both raise the question and answer it. Eventually, I will argue that for Spinoza God is nothing but existence, and that the divine attributes are just fundamental kinds of existence, or, what is the same, as I will later argue, the intellect’s most fundamental and adequate conceptions of existence. In the first part of the paper I provide some background for Spinoza’s brief discussion in the TTP of God’s name and essence by studying the claims of Maimonides in the Guide of the Perplexed that God’s true essence is necessary existence, and that this essence is denoted by the ineffable Hebrew name of God, the Tetragrammaton (YHVH). In the second part of the paper I point out similar claims Spinoza presents in the TTP, and show how they respond to and echo Maimonides’ discussion in the Guide. In the third part, I examine Spinoza’s apparently conflicting claims in the Ethics about the relationship between God’s essence and existence. In some places Spinoza claims that God’s essence and existence are strictly identical (E1p10: “God’s essence his existence are one and the same”), but in other passages he makes the apparently much more modest claim that God’s essence involves existence (E1d1, E1p7d and E1p11d), which may lead one to believe that there is more to God’s essence than mere existence. I show that Spinoza’s understanding of the relation denoted by the Latin ‘involvit’ is consistent with the strict identification of essence and existence in God, and that Spinoza identifies God’s essence with self-necessitated existence, or eternity. Indeed, Spinoza’s understanding of eternity [aeternitas] as self-necessitated existence (E1d8) is one of the very few Spinozistic concepts that has no trace in Descartes. In this part I will also solve the long-standing problem of the sense in which the infinite modes can be called ‘eternal.’ In the fourth part I turn to the relation between the divine attributes and God’s existence and argue that, for Spinoza, the attributes are self-sufficient and adequate conceptions of existence. Finally, I will attempt to explain what brought Spinoza to deify existence. -/- Part I: “In that Day shall God be One, and his Name One”- Maimonides on God’s Name and Essence. -/- 1.1 Before we delve into the texts, let me suggest a few distinctions between various views on the issue of the relation between essence and existence in God. The view I suspect both Maimonides and Spinoza subscribe to can be termed the divine essence-existence Identity Thesis. -/- Identity Thesis (IT): God’s essence is existence and nothing but existence. We should distinguish the Identity Thesis from the much more common view according to which God’s essence contains existence, or (which I take to be roughly the same) that existence is one of the properties or perfections which constitute God’s essence. The latter view allows for the possibility (though it does not demand) that there is more to God’s essence than bare existence (e.g., God’s essence may include omniscience, omnipotence, etc.). I will term this view the divine essence-existence Containment Thesis. (shrink)

In this paper I explore a neglected discussion of vagueness put forward by Wittgenstein in his Philosophical Grammar (1932–34). In this work, unlike Philosophical Investigations (1953), Wittgenstein not only discusses the venerable Sorites paradox but provides a novel conception of vagueness using an analogy with coin tossing and converging intervals. As he sees it, the problematic picture of vagueness arises because we conflate aspects of the functioning of vague concepts with those of non-vague ones. Thus, while we accept that vague (...) concepts have no sharp cut-off points (are boundaryless), we nevertheless retain the idea that we can progress towards the penumbra the way we progress towards the cut-off points of non-vague concepts. As a potential remedy, Wittgenstein's analogy with coin tossing and converging intervals replaces this picture and provides an understanding of the functioning of vague concepts in which no notion of a progression arises. (shrink)

We depend upon the community for justified belief in scientific theory. This dependence can suggest that our individual belief in scientific theory is justified because the community believes it to be justified. This idea is at the heart of an anti-realist epistemology according to which there are no facts about justification that transcend a community's judgement thereof. Ultimately, knowledge and justified belief are simply social statuses. When conjoined with the lemma that communities can differ in what they accept as justified, (...) epistemological anti-realism entails epistemological relativism. Further, this lemma can also be used to generate an argument for relativism and, thereby, for anti-realism. So if an epistemologically realist account of our justification for belief in scientific theory is to be given, then it must be possible, first, to defend a realist interpretation of the idea that individual belief can be community-justified and second, to defend it in a way that is compatible with the fact of possible community diversity. This paper tries to meet these challenges. (shrink)

Trust is central to our social lives. We know by trusting what others tell us. We act on that basis, and on the basis of trust in their promises and implicit commitments. So trust underpins both epistemic and practical cooperation and is key to philosophical debates on the conditions of its possibility. It is difficult to overstate the significance of these issues. On the practical side, discussions of cooperation address what makes society possible—of how it is that life is not (...) a Hobbesian war of all against all. On the epistemic side, discussions of cooperation address what makes the pooling of knowledge possible—and so the edifice that is science. But trust is not merely central to our lives instrumentally; trusting relations are themselves of great value and, in trusting others, we realize distinctive forms of value. What are these forms of value, and how is trust central to our lives? These questions are explored and developed in this volume, which collects fifteen new essays on the philosophy of trust. They develop and extend existing philosophical discussion of trust and will provide a reference point for future work on trust. (shrink)